When I first grabbed a 1/4 sized plywood cello with my grubby, 4th-grader hands, I was the beneficiary of America's socialist policies of the time.
Mid-1960's.
Arts instruction was woven into the education programs for public schools across the nation. This initiative began around the same time as Eisenhower's Interstate highway project. By the time I grabbed that cello neck, the Arts initiative was in full-swing. Elementary schools were feeders to the middle schools. Middle to Secondary schools. We kids were part of something that actually worked- for any kid whose parents could pony up 10 dollars/school year to rent those crappy instruments. When I got to Middle School, I was amazed at the number of kids in orchestra who looked like me. When I joined Secondary School, Lima Senior's orchestra consisted of 20% Black/minority students. At least half that number were trained/educated/qualified to matriculate as Music majors in Higher Ed. Of those 12-14 kids, only 3 of us professionally pursued Music beyond HS. All three of us are now preparing to retire- after a lifetime of paying forward this gift that we were given.
Consider the raw numbers: only 2% of practicing performing music professionals fit my profile.
When existing systems fail to produce numbers in keeping with talent demographics [read: 'merit-based ability'], other means must be employed.
And so... AfAm citizens did what we've always done: "We'll provide for ourselves those things which other Americans may take for granted."
And so, "Equity Arc" was founded.
And they aren't the only organization of its kind.
For 20+ years, I have been a supporter of the
Sphinx Foundation... the seminal organization that helped aspiring minority musicians find inroads to the highbrow insular world of Western Art Music.
These
Non-Profit organizations are the absolute epitome of America's "pull yourself up by your bootstraps" mentality.
From nothing, Equity Arc made enough of a civic difference to command the attention/invitation of 'The President's Own'.
Sphinx Foundation has placed promising minority students (younger versions of Clem) on the stage of Stern Auditorium/Carnegie Hall.
...suffice it to say, I'm a total fan of their efforts.
@keithfromxenia:
These private non-profit efforts were enacted by Minority Americans because Your Fellow American Citizens saw a need to provide for themselves an avenue to equity that America's system didn't provide. They provided a support system for themselves, in the absence of a broken system that was healthy when I was a kid. Their efforts were being rewarded by one of our most venerated institutions: the US Military.
The United States Marine Band chose to collaborate with these young people.
Nothing can take from them that distinction.
The only fly in the ointment that could scuttle their hard-earned honors: A blanket executive order by a man who understands nothing about the art/craft that inspired them to seek something better for themselves.
Thanks, 47.